Posts Tagged ‘Mars Lasar’

Mars Lasar is one of the first musicians many people recall when thinking of nature inspired music.  His music with a thoughtful dedication to protection of the heartland is a constant reminder of this gifted artist and his ability to promptly place you there.

Mars has just released another nature inspired project that really puts you on location, in a sharp salute that is a natural acquisition with his large fan base, and for all who appreciate his artistic creations gently carved from our native habitat of woodlands and ecosystems.

The time enduring  Eleventh Hour Series, Olympic National Park, & Yosemite: Valley Of The Giants, are all earlier landmarks of his dedication to conservation music that, sure as our world turns, are steadily becoming more relevant with each passing day.

Tahoe Spirit  is his newest declaration into New Age / World / Nature genres to virtually guide you one heartbeat away from the Great North Western Sierra Nevada Wilderness, Lake Tahoe, and deep into Washoe Indian Territory, in a trail blazing musical expedition that nicely illustrates the territorial lands that are a vital part of our American Heritage.

David Rose is a distinguished talent from the band Painted Raven, and principal performer on Traditional Native Flutes, while divine song vocalist Cadence Spalding, likewise join Mars on piano, bass, keyboards, and programming.  It is during their unparalleled journey together where everyone can become a part of, and be a witness to the vast open wilderness, monumental mountain horizons, and the pristine waters that reverently hold the secrets of this regional gemstone.

Mars Lasar employs a careful artisans approach while composing all of his inspired by nature music, making a lasting impression on you every time.  The effective result of a delicate polish given to Tahoe Spirit results in a fine grain finish, directing you to an exceptional visit to the pristine beauty of our native woodlands all Americans can call home.

Tahoe Spirit  makes a bold first impact of  10  song legacies known with a deeply moving and beautifully synthesized Tahoe Legends.  Beginning with a grand opening, this Epic song makes one quickly realize the musical terrain is going to be firmly held on a plateau of picturesque beauty.  The woodwinds David Rose provides are encircled by percussion effects and heart pounding stanzas that Mars expertly recreates during your guided visits to memorable discoveries in music.

The Great Spirit  has more of a calming presence by woodwind interludes and echoing drum rhythms that noticeably accent an inherent note by note recollection about a past civilization of people who are an important part of our heritage and who once called it home.

Washoe Meadows  has the attribute as a gentle song with a relaxing melody, articulating a pleasing sense of atmosphere, perfect for those seeking an adventurous ambiance where gentle streams and natural forestry are a realistic part of the visual beauty you will hear in this total music experience.

Lake In the Sky  gives a peaceful moment of reflection by woodwinds gentle tones and dreamy melody shown in a breathtaking way, providing a soft tranquil flow between stanzas while bass and drums add a range of depth by the subtle undercurrents.

Alpine Meadows  makes a heartfelt impression on me every time I listen to it, in an uplifting song where the bond of this trio shines so very brightly while standing together in musical unity.  Mars places an Epic, yet comforting climate controlled feel on keyboards that instantly takes you there.  David instills the calming winds with haunting flute passages recognizing the presence of the people living before us there, and Cadence gently vocalizes a soft radiant melody, glowing like the sun by her wonderful declaration to remind everyone why we become united there.

Tahoe Spirit  greatly captures your attention by a bold testimonial about our native lands worth preserving, and is a wonderful presentation from talented artists united in heart, mind, and spirit, who give you the feeling that you also belong and can go there too.

Visit marslasar.com to sample here then see his photography pages.  You can also read my recent interviews with Mars Lasar and NewAgeMusic.nu’s Top Album of the Year winner Cadence Spalding, on our pages dedicated to this outstanding musical team.  You can find out more about flutist David Rose at painted-raven.com here.

Picture Copyright Bigstockphoto – mantonino

Now that the Christmas season has officially arrived, many are wondering what makes the perfect gift, how to revive their spirit of giving, and where to find holiday music that succeeds in setting the tone while recognizing the one true reason we celebrate Christmas.

Since many countries have traditions that include exchanging gifts, let me suggest  2  Christmas albums that recognize the true spiritual reason for the season, and also spark the excitement of preparing, decorating, and shopping for appropriate gifts.

Holiday High  by Mars Lasar and Cadence Spalding, is a natural beauty by the traditional songs recognized on this seasonal album.  The angelic vocals by Cadence blends into a beautiful rendition throughout, while Mars displays his innovative talents of mixing and layering, adding his special creative touch that easily sets this album apart from all others.

Holiday High is a traditional Christmas album displaying the serene musical qualities of a highly talented couple, who have earned a well respected position in the music world by their individual albums.

Christmas From Mars  is an equally beautiful traditional album with all of the extra enhancements that likewise makes another truly special gift, easily becoming the  2  most enjoyable holiday albums I can suggest for all listeners.

If you are searching for a great gift for someone, or wish to revive your own personal spirit of Christmas enjoyment this year and every year, both albums are a wonderful family edition designed for traditionalist and New Age music fans alike.

Visit marslasar.com here and sample both albums right here.

The conservation minded  11.05  Revival release from Mars Lasar is the most recent project in the Eleventh Hour Series to make a significant statement in both the trademark designer music Mars continues to envision and next in series dedication to protection of our planet that arrives with just in time precision.

The Eleventh Hour Series relies on an Electronic Instrumental infrastructure to get the message out, and it now appears clear Mars was just ahead of his time with the series. His deep exploratory music touches the senses while beating a constant rhythm in music lover’s hearts, exactly when a new resurgence in conservation is suddenly thrust into the forefront of the next generation’s minds.

11.05  Revival on the Sound Manipulation label approaches every aspect of Eclectic, Electronic, Instrumental & New Age Groove, canvassing the inherent beauty and peaceful serenity of our magnificent planet in an epic and colorful illustration drawn from one man’s timely musical perspective.

Earthbound exhibits a strong opening by first reaching out to grab, and then capture your attention by a distinctive percussion rhythm that steadily glides into full keyboard environment, giving a pulsating melody in motion testimonial.  During refrains, choral vocals announce a clear message while swaying melody acts like a pendulum to once again move in countermotion behind the energizing concept.

Parallel Worlds permits you to breath again while navigating at a gentler pace during orchestration crescendo that nicely revolves around lighter percussion, woodwinds, and twinkling effects, giving brief moments of interlude during this unilateral event.

Some of the introspective songs heard on  11.05  Revival  could be perceived as a warning for our ecological in-actions and resulting consequence to humanity, since several songs have a deep perilous atmosphere that rightfully command your attention.

Globalization conjures up equally deep and lighter emotions by modifying sound images in this majestic song that uniquely articulates the projection of imagery during his compositions. The deeply integrated keyboard and vocals are centered by a twinkling sequence to mirror the bright reflection of a full moon and resulting tidal effect.

Ancient Astronaut  &  Final Countdown take giant leaps onto the planetary surface of ambience, having an audible feel of intensity in their own domain.

While one song is geared to a constant percussion countdown timed to the precision of a second hand with far reaching melody, another explores rich orchestration by engaging brass, winds and strings that seem to defy gravity by dynamic theatrics alongside intertwined lighter and deeper orchestra concertos.

Next Millennium has a design of the future piano melody with counter beat notes and intriguing voice box dialog that likewise competes for your attention. Moderate patterns then return with several songs set to a mid tempo pace and feel like heard in  Evolution.

Graceful Orbit has a cycling pattern by the static effect, strings, and choir vocals, while  Celestial Challenge has a voice box dialog along with flute in an engaging improv sequence and  Guide To The Ozone shows a nice blend of instrumentals drawn into softer melodies that float along accordingly.

By The Sea ushers in the pleasingly relaxing voice of Cadence Spalding, where Contemporary Jazz is introduced to softer classic vocals alongside piano and saxophone accompaniment, lending a soulful and poetic touch which nicely compliments  11.05  Revival and newest release in the  Eleventh Hour Series.

Mars Lasar has truly made a bold testimonial in this timely masterpiece, renewing the true spirit behind the  Eleventh Hour Series while also personifying his dedication to conservation music legacy. The positive aspects of our world worth saving are clearly shown in unison with the extreme challenges ahead, exactly when the music of today’s generation and inherent staff of conservation awareness is carefully relayed into the open arms of the next generation.

Visit  marslasar.com to sample or purchase right here or visit CDBaby here.

*  The Eleventh Hour Series  11.05  Revival has a  10  %  donation to  conservation.org  with your album purchase.

Picture Copyright Bigstockphoto.com – karmaamarande

John P. Olsen has just conducted an Interview with Mars Lasar. The topics are about his remarkable music career, current projects, and innovative technological products. There is also some informal discussion about New Age music in general, and what it feels like to be a famous musician.

John (J): Your lifelong career as a musician has already been marked with many outstanding achievements over the years Mars. There are also many moments of media exposure on television and film. Could you tell us some of the programs your music has been aired on past and present?

Mars Lasar (M L): I have had my work played on many well known shows like: 24, Medium, American Idol, America’s Most Wanted, Opera, these are just to name a few. I have been providing music for film and tv for over 25 years.

J: What are some of the greatest moments in your career on a professional level, and could you tell us about the events that were occurring during the single greatest moment to date in your career as a professional musician ?

M L: I must say I’ve had some rather unusual adventures. Being a composer/artist and sound designer with a very large sound library, I was asked to compose all kinds of things from making an orchestra with wildlife sounds to creating hit song productions for the artist Seal. I sat in Abbey Road Studios and spoke music and technology with Alan parsons, had a cup of tea with Kate Bush, worked with Herbie Hanock and his production team on cutting edge music, wrote video-game music for Sega and Sony Playstation with Keith Emerson from Emerson, Lake and Palmer, I appeared on the Queen Mary and joined astronaut Buzz Aldrin on topics of energy conservation for Earth Day International, I played synthesizers on street corners dressed in a space suit, assembled an audio rainforest in a dome-shaped butterfly sanctuary in the city, opened for Mike Oldfield on his Tubular Bells tour, traveled to Latvia to represent Russia in the Eurovision contest for which I wrote only the music, the lyrics were in Russian (artist Tatu), I took a shotgun microphone and recorder into the Australian outback and recorded frogs and used them for percussion instruments in my albums, I sampled orchestras that walked out after they found out we were sampling them (in the 80′s), I recorded choirs in France who hid the one that was out of tune So you see, music and technology led me to many interesting adventures.

J: Recently when Cadence and I had our Artist Interview together, I asked if making her first individual CD / DVD release of Save The World was easier than she thought it would be. I now wanted to ask if having the tables turned by helping Cadence with her release was what you were expecting, and were there any memorable moments during the album production ?

M L: Save The World was probably the most work I’ve ever done with multiple vocals. It was like making a king size quilt with silk and a needle. The stitching involved was never ending and required almost surgical accuracy.

I’ve always been fascinated with the technique of multiple layered vocals, even back when we were using analog tape in the late 80′s. During my years of music production I used this technique wherever possible, but with Cadence being a choir singer and theory whiz, I was really able to push her to the limit.

It was an exhausting 1 year production but well worth the end result. Sometimes the production focus became so intense we just had to break out in laughter during vocal takes, and sometimes in tears. Cadence is a multi-talented artist that often makes appearances on my new releases. I’m sure you’ll be hearing more from her in the near future.

Music and technology led me to many interesting adventures.

Mars Lasar

J: You have produced 2 nature inspired projects related to America’s National Parks. Olympic National Park was your first album, and Yosemite : Valley of the Giants your second.

I heard through the grapevine you have just completed another nature inspired project.

Is this right, and could you provide some details about your latest National Park project ?

M L: Yes, I finished another nature cd dedicated to the Four Corners. This one has plenty of Native American Indian influences. It depicts the vastness of the desert and surrounding canyons, with titles like: Hovenweep, Dead Horse Point, Canyon Lands and White Buffalo Woman. The cd is called Grand Circle and should be coming out late ’09. 

J:  In working alongside other respected musicians like yourself, including Hans Zimmer in the Days of Thunder Soundtrack, the musician Seal on the album titled Seal, and Herbie Hancock on the Dis Is Da Drum album among the many others. What is it like to work with other great artists like yourself, and were there any memorable moments you would like to share with us ?

M L: There is a deep respect when collaborating with artists and producers that are just as into the skill-set as you are. When collaborating in this manner, you’re looking for a perfect talent match for the customization of the end task, or the “brief”. Sometimes the music comes easy, and other times not so. Every artist I have worked with have their own unique eccentricities, and they change according to what is going on in their lives at that time musically and personally. It’s a detailed puzzle. Even the simplest songs can take forever to accomplish.

Karma CD Collectable

J: From 1998 to 2001 you released the following albums: Sapphire Dreams, 11.02, When Worlds Collide, Karma, and Star Is Born, among others. Was this the busiest period in your career, or was there another point in time where producing music was in the forefront ? If so, is there a reason you were so creative during that time period ?

M L: From the time I discovered music at 11 to now, I’ve been busy making my own versions of what I call “emotional mathematics”, evoking an emotion from music particularly with the latest technology was my thing. There has never been a dull moment. I just follow my art where it takes me.

The key was How do to make money from my art, so I can continue doing it? Being a composer means you must diversify your talents to survive, and that information varies on so many things that can happen in the industry at the time, which can actually take you off-course for years. I found that once I had the talent, distribution, audience and experience to release multiple works, there was no stopping me.

J: The Eleventh Hour was a very successful album for you. Could you tell us about the events that took place during that time period ?

M L: The only way to explain The Eleventh Hour success was the timing in the environment at the time. Many people were talking about cell-phones frying their brains, they were big and cumbersome in the early 90′s. My song from the cd Cellular City with all its phone noises and technology driven Jazz seemed to hit that chord. Next thing you know it’s playing on heavy rotation on American radio. I went all out on that cd to show my true talents as a composer and sound designer.
 
J: I recently posted a review of your At The End Of The Day album and found it a nice fusion of Jazz and New Age, noting the fact that many of your albums are a fusion of genres. Do you think this is why your music is so popular, and do you purposely blend genres, or does this just happen naturally when creating an album ?

M L: My curiosity for music and art never ceases. It’s the never-ending exploration. For me it’s all about expressing yourself in as many ways as possible and sharing your discoveries with the world. I never wanted to be pigeonholed into the one genre, I just have way too much to express. Because of this my fan base is very broad. From mediation to industrial electronic to jazz. This is also why I like writing for film and tv.

J: Earlier in life you worked 8 years for Fairlight Instruments developing innovative multi track synthesizer sequencers. Could you tell us about the products you developed and the events you were involved with during your early years ?

M L: Back in the early 80′s I was heavily into “concrete music”. This was very abstract and non-eventful music, but the techniques were interesting to me. I would put a blank cassette tape into my shortwave radio tuner, press record and pause, look for a neat sound on shortwave (lots of squelching to choose from), hold a stopwatch and together I would release pause and start the stopwatch for one second then press the pause again. Then I would look for the next shortwave sound and repeat. In doing this you could make crude but interesting rhythmic patterns and tones. Essentially I was sampling audio and playing it back. At 18 with my knowledge of sampling and classical training on the piano I fell into the lap of Fairlight Computers. The first music computer based production tool in the music business.

I worked day and night with the R&D team, explaining the intricacies of music and making the first music sequencer “Page R”, it was the shortwave concept but to the next level. I helped to built the massive sound library that came with the machine, packaged in a cardboard-box the size of a large refrigerator. I quickly became very knowledgeable on the computer and traveled the world demonstrating the Fairlight at trade shows, and personal demonstrations to: Duran Duran, The Divinals, Captain and Tennille, Mike Oldfield, Herbie Hancock, Hans Zimmer, Alan Parsons, BBC, Kate Bush and plenty more. My compositions came with the computer and at a price of $70,000. After helping to get the Fairlight off the ground, I started working freelance. Today the machine is obsolete, PC music software is at a fraction of the price and 100x more powerful, some examples are: Logic, Performer, Cubase and Cakewalk.

J: In the Art & Photography pages at marslasar.com I saw some pretty unique paintings along with your CD album collectables and prints available for purchase. I also read some of your oil paintings are created in more of a process than by just using art brushes. Could you tell us a little about how your original works of art are created ?

M L: I grew up with art. My mother is an exceptional fine artist, she taught me how to paint oil on canvas, I was immediately hooked and spent every moment I had figuring out the behavior of oil paint on canvas. At the age of 14 was asked to hang my works in my high school and I just kept going from there. After painting my canvas I would take a high resolution photo and manipulate the image even further in Photoshop. Photography became a natural progression as soon as it became digital, I wasn’t too keen on the darkroom and chemicals in the early days. Now, I take my camera gear everywhere, and most who know me know that I’m off taking photos when I should elsewhere ) I enjoy making art from music to art design to the business, it’s all the same to me. The most important thing is that I translate my concept across to the audience so you can enjoy the experience.

I’ve been busy making my own versions of what I call “emotional mathematics”, evoking an emotion from music particularly with the latest technology was my thing.

Mars Lasar

J: Your earliest music studies as a young adult were the classical works of Beethoven, Chopin, and Bach. Do you believe this classical foundation at a young age carried through into your earlier compositions and even into present day compositions ?

M L: Absolutely. The emotional mathematics behind classical music is deep and well thought out. I connect with my classical roots in most of my work. I think it’s an essential tool for young composers. When it comes to classical music, you can never know enough.

J: The family oriented Baby Escapes series 1 – 8 is intended for relaxation. Was there a personal reason that led you to create the more family oriented recordings, and what specific goal did you have in mind with this series ?

M L: BabyEscapes was a sonic experiment made to keep my baby daughter asleep. Made in the 80′s there wasn’t much around in sleep therapy, so I made my own. It worked so well we had to wake her up during naps. The idea was to create a repetitive cyclical loop that essentially massages your mind to sleep. The secret to this is the choice harmonic resonating tones. There is so much to learn about the strength of music and vibration.

My curiosity for music and art never ceases. It’s the never-ending exploration. For me it’s all about expressing yourself in as many ways as possible and sharing your discoveries with the world.

Mars Lasar

J: It is clear you have so many professional interests like music, art and new technology. It makes me wonder if you have any just for fun hobbies and what you enjoy doing in your spare time ? 

M L: My hobbies start as just hobbies, then they turn into businesses. There is only so much I can do in a day, so I just have as much fun as possible while I’m here for this short stay on earth.

J: I would like to close by saying Mars, that you are perhaps the most talented individual I have ever been introduced to, and along with your wife Cadence, you both are the most talented couple I have ever met as well. B.T. Fasmer, our readers, and myself do Thank You for taking time out to give everyone some insight into both your professional career and personal life.

M L: Thank you. Cadence and I have worked hard to deliver our creative expressions to the world. We hope that through our art we can make a difference, and inspire others to do the same.

Visit Marslasar.com to sample his music and art. Here is a direct link to some truly impressive photos by Mars Lasar.

Recently we announced an Artist Interview with music celebrity Mars Lasar here at newagemusic.nu.  Let’s explore one of his albums with a Jazz influence that sets the stage for a memorable music experience.

This revered man of many talents has touched the lives of millions of people while showcasing his innovative abilities during his lengthy career as a professional musician, along with his music related artistic endeavors.

Mars Lasar has a diverse discography ranging from New Age, Electronic, Contemporary Instrumental, World, Jazz, Ambient, Chill Out, Classical, and a host of sub genres that have yet to be classified.

At The End Of The Day creates a wonderful example since Classic Jazz is introduced to New Age in a manner that I felt lends itself to a high society level of sophistication, yet also in an easy going approachable manner that gave me a relaxing right at home, wearing blue jeans comfortable feel too.

My previous statement should give you some insight about what is in store for you, and how effective this man is with creating lasting beauty from contrasting images, yet there is so much more to discover from this album, plus the full scope of his vast discography.

Mars Lasar layers his mixing production talents to full advantage on every song in this Contemporary Jazzy  10  track album that highlights his artistic abilities in a just right, toast of the town in house feel.  His fans will adore this release, being such a strong example of what they love, recognize, and have come to expect from Mars.  Here we find soulful saxophone driven melodies, considerately subdued from completely stealing the show while keyboard, flute, and guitar melodies prove themselves just as capable while taking a turn in the solo spotlight.  The song Uptown is a favorite among his fans who already own the album.  Perhaps they recognise this fine example since  fusion between old school Jazz and Contemporary Jazz are intertwined to reach a thoughtful commingling of the two styles.

Mars Lasar has an enduring ability to captivate an audience with his music by personal adaptability, mindful at using technical leverage, while also generating a creative spark of imagination.  I believe these skills, plus his strive for perfection is how Mars can offer a higher level of versatility simply not present with many artists within many genres.

The song Warm Nights is a mid tempo, Jazz festival of fun, where guitar and percussion first set an atmosphere like a playful night in a downtown club.  Just like being there, an illustrated solo saxophone player sharp and colorfully dressed, plays a warmly lit tune that contrasts well with the darker shades presented during the first few measures in tonal background images.

Our first observations of the atmospheric intensity of the music is noted by the upward raised saxophone and soulful eyes closed expression made during the opening woodwind solo.  Everyone can clearly see the seated piano player is all smiles while making their keyboard runs in distinct counter beat with saxophone while upper octave piano notes twinkle in unison, exactly as our solo performers glance at one another to give a quick nod and wink of approval.

Come And Join Us is a nicely done Jazz mix with an inviting tone that keeps the momentum going in a positive upbeat direction. 

When the bass cello player starts this in house session with a resonating pluck of the strings and then several spins of the cello, the rhythm is set by the warmer tones and expertly delivered bass runs that capture the crowd’s approval right from the beginning.

Joining in the session, piano and flute quickly step forward to contribute their fragrant ambiance by taking turns during moments of improvisation while the crowd waves their raised hands back and forth to the beat.  Everyone moves closer to the stage as our saxophone player once again steps into the spotlight with a dramatic solo while flute makes note filled runs, then several trills during each refrain as percussion places their cymbal taps and well timed snare beats with exacting precision.

We notice every instrument sparkles brightly under the lighting while all players make their runs through the scales in this album having an uptown beat, capturing the moment and memories for the entire evening in the final closing notes.  Then, as everyone slowly starts to leave and the band begins to pack, it is pretty clear the audience was captivated by the sights, sounds, and sensations, after just having heard this album produced by Mars Lasar that mirrors the very ultimate in the downtown Jazz experience. 

Visit marslasar.com by clicking here and sample at Amazon by clicking here.

Let me introduce the other players who performed on this studio produced album on the Sound Manipulations label.  Let’s give a big round of applause for Mars Lasar’s wife Cadence Spalding who provided some vocals and Nicholas Gunn who played flute.  The guitarists include Winslow Crockwell, Jeff Burak and Carlos Villalobos.  Greg Vail played the saxophone and flute.  This is a listing of the artists homepage :  Visit cadencespalding.com here, nicholasgunn.com here, carlosvillalobos.com here, and gregvail.com here.

Picture copyright Bigstockphoto – mhurwich

We are pleased to announce an Artist Interview with music celebrity Mars Lasar here at newagemusic.nu.  Mars is revered in the music business, having an incredible career with a long history of creating outstanding music that has generated wide appeal to all audiences near and far.  This present day interview conducted by John P. Olsen promises to be an in-depth look into the diverse musical talent everyone has come to know as Mars Lasar.

His success as a versatile musican will be on display, along with some memorable moments during his broad career, current projects, and what Mars has planned for the future.  Topics also include the many innovative aspects of his life, giving everyone a chance to explore the creative genius behind this man of many talents and abilities.

We have provided  2  excellent song videos of Mars and wife Cadence Spalding together as a musical team.  The first YouTube video provided below is from the Yosemite : Valley of the Giants album, featuring the song  Mirror Lake.  This album was released during the time period years after Mars released his widely publicized Olympus album, and before the release of his Jazz influenced album titled, At The End Of The Day.

The second YouTube video features a co-write video Mars produced of title song, Save The World, from Cadence Spalding’s first CD / DVD album.  This just released remix HD video is another fine example of Mars Production skills and breathtaking photography while showcasing the individual talents of his wife Cadence as a solo musician.

B.T. Fasmer has just posted a review of the compilation album from Mars Lasar titled, In Flight Relax, and can be found by scrolling down our page, or by clicking here. 

An album review of the Jazz influenced release titled, At The End Of The Day, will be posted before long.  Our recent Artist Interview with Cadence Spalding also gives everyone insight into the lives of this exceptional husband and wife team who have given so much to music audiences spanning the globe.

The Cadence Spalding Interview and review of Save The World CD / DVD release can be viewed by clicking here. 

Make yourself at home everyone, and read all the latest news from this winning couple who are giving those of us on the outside, an opportunity to peer inside their lives through our personal interviews.  Visit their website marslasar.com by clicking here.

I am often amazed of how songs I have heard before sound different when they are included in a compilation. On the original album the song was perhaps a slow interlude between two fast and rhythmic songs, while on the compilation it can be one of many chilled songs.

An example of this is the compilation In-Flight Relax by Mars Lasar. For instance, on the original album (Yosemite, Valley Of The Giants, 2006) the song Wilderness Trail was the peaceful part between two dramatic songs (Merced River and Yosemite Valley) – while on In-Flight Relax it is the album’s intro and the beginning of a beautiful and relaxing journey.

So compilations definitely give new perspectives to songs. Put In-Flight Relax on, and you are all set for take off!

This compilation contains songs from all parts of Mars Lasar’s long artist career, from the very beginning (the wonderful Many Miles from his first album, Olympus, released in 1992) to the latest. But when listening to In-Flight Relax I try, as noted above, not to think of the song’s track number on the original album – but as a part of the compilation with the “relaxing flight” theme. And wow, we are in for a treat here – it is way more calming than pills or the classical music you are likely to find in the in-flight relaxation channel (as a frequent flyer I must add that some (but far from all) airlines have new age music in their in flight radio program).

Put In-Flight Relax on, and you are all set for take off!

My favorite song on the album, which also is a top performing song on New Age Stars Radio, is Awakenings. A more relaxing and positive song is hard to find. When listening to the song it is like flying on a cloudless, sunny day. And the best part is the awesome track progression; at about 3 minutes it speeds up and takes you even higher. Another very impressive song is At the end of the day.

I must mention that even though some of these songs were released in the early 1990s, they still sound fresh and updated. They are a statement of Mars Lasar’s instrumental music talent – and that they have a life of their own outside the original recording.

From now on In-Flight Relax is a permanent part of my travel gear, just as sure as my passport. After all, what is a mere $ 8.99 in your total travel budget?

Sample the album on Amazon or any other digial music outlet.

John P. Olsen, contributing author for newagemusic.nu has conducted an Interview with composing musician Cadence Spalding, and will discuss her Save The World album and news about a project currently in progress. 

John :  I truly enjoyed meeting you for the first time awhile back. It’s very apparent to me that you are a friendly and sincere person. I am asking this half jokingly, but how did you arrive a such a wonderful disposition Cadence ?

Cadence :  Thank you John for complimenting my disposition – there are so many jokes for right here! – regarding female disposition in general – meaning my family will tell you just how “human” I can really be – but I’ll refrain and say “thank you – that’s such a nice compliment” – and maybe you are just picking up on how blessed and happy in general I’m feeling these days to even be talking about my music – inseparable from myself – and feeling satisfied that those sounds I’ve heard inside my mind for as long as I can remember are finding their way into my voice and through my playing hands and imprinting onto digital recordings and floating through the airwaves and touching hearts – and if even one, that means the world to me – to be able to express my deepest joy and gratitude – and to share that dialogue with others here on earth. And maybe too you are picking up on the fact that I use music as a tool to soothe myself and to pray and to meditate, so it helps me to relax and to be inspired and to connect with God (although I’m non-denominational), and I can only wish that it can help do the same for the listeners – to help them to pray or to connect spiritually to a God of their choice.

Ok, I’m also just beyond excited about a project I’ve been working on since my early 20’s as a music teacher in public schools called “Miss Jenny”. I perform music in costumes and as a “one-girl-show” on guitar, vocals and piano – singing rock/blues/country versions of kiddy classics. I’m now doing weekly Miss Jenny shows at festivals near my hometown in the Napa Valley, and just got asked to co-host a local, live! TV show here as Miss Jenny called “The N.A.P.A. Show” with host Arty Party. A new adventure, great people, musical, creative, community oriented and lots of fun!!

John :  Your husband is the revered New Age artist Mars Lasar, and I understand you have performed on some of his albums prior to your own release. Has it been the great reward you had expected by composing and performing an album of your own, or is it more work than you had expected ?

Cadence :  I’ve so enjoyed singing on Mars’ albums – they are so diverse. He is a wonderful man, a beautiful father, and gifted artist and a true genius in the studio. Can I say that about my own husband? Well, I just did – lol!! I was a fan of his music long before I met him, and obviously we hit it off on many levels, as now we have a beautiful son and we are married. The crazy thing is that we work together professionally as well, and it all seems to work so well. We are blessed and I think we both know it. Truth is that even though this CD has my name on it, my husband and I really recorded this album together, side by side. It has a lot of co-writes, and he is the sound engineer, and plays a lot of the instruments. And YES, great question John, it was a lot more work than expected – but most worthy things seem to be.

Our Christmas album was our first official project together called Star Is Born, so we definitely had a taste of the size of this project ahead of time – but we were held up anyways with a new baby and lots of library music work – so working together on this was perfect timing – as we already were in building and recording mode. The layered vocals take a lot of patience and perseverance to accomplish – but again, revealing this fresh sound that we discovered together is so exciting, and sky is the limit. We have a lot more of these projects to do, and that’s a blessing too.

John :  Your first project is Save The World, and is a great album I might add. What was the turning point that made you decide to produce your first solo album? 

Cadence :  I’ve been playing, writing, performing and teaching music most of my life – so it was a natural progression to record a solo album. My very first album singer/songwriter album was recorded ages ago actually, and just sold in small outlets – “demo” though, as the quality was slightly below broadcast, but a few of the songs did well publishing wise and I toured with my band in the LA area. I’ve worked hard on improving my vocals the last 5 or so years – singing in professional choirs and studying voice specifically, and finally technology was accessible for my passion for songwriting and especially harmony. I was also ready to record this album at the same time I was ready to perform a sound like this live. The sound when performed live involves back up prerecorded vocals that I sing on top of in full voice, and I think it sounds even better than the album because I also play rhythm guitar on top of it, and it has a stronger acoustic/rock vibe – live that is. It is a TRIP to do this music LIVE! I LOVE it!!

I think of songwriting as something so much more than basic composition – it has really kind of therapy for me over the years. When times were tough, I’d stay up late and write shoe boxes full of songs – often scribbled into journals and on pieces of paper in the middle of the night. Teenage and early adult angst – 1A – and I thank God for the writing getting me through lots of hard times in my young adulthood. And again, I have to thank my family for this, as I come from 4 generations of musicians and music teachers – so piano lessons at age 3 wasn’t uncommon.

I was fortunate as a young girl to have mentors to inspire me to be open creatively and to work hard, and they made it fun and interesting for me by praising me for practicing and encouraging the writing throughout my childhood and teenage years. I only wish more parents would encourage their kids to be creative musically. It is a healthy and calming outlet. Just reading notes on a page is so difficult for most children! I wish parents would be more open in general to alternative modes of music education – like for example….uh oh…rock n roll! Aren’t we there yet people? Is this still seen as something “less” than classical music?? How sad. I wish the gift of music for all children in the world. I wish parents would be more open to kids learning rock!!!

John :  Cadence, your singing abilities are quite extraordinary. Could you tell us about your music background and what instruments do you play ?

Cadence :  OH my goodness, what a sweet question this is to me, as really most of my life had music as a big part of it, but not as a vocalist. Personally I started piano at age 3 as a result of 4 generations of music teachers behind me – but the ideal age for kids physically, is about 7. Guitar lessons started in high school, and later on that was the perfect instrument for me to teach my students with because of it’s mobility and the fact that kids naturally LOVE rock n roll! In elementary school I was playing in school bands on violin and flute. It was not only just a great hobby – but something that gave me self confidence and joy – and the schools I attended all had terrific programs. Today, it’s unfortunately not available to all children, music education that is, and that truly breaks my heart.

I have always loved to sing, but didn’t study voice formally until well into my adulthood. I had to work very hard to open up my upper register. Once it opened, I never shut up!! I began singing in church choirs as a second soprano well into my adulthood. It was a blast! The feeling of singing music that I love, old and new styles, is euphoric. I can’t get enough. It’s almost like an addiction to be honest…and thank God a healthy one!

John :  What were your thoughts behind some of the song lyrics on the album. Could you explain your thoughts behind the lyrics in Trust In Love ?

Cadence :  Trust In Love  is a prayer. It’s meaning to me is as simple as it sounds – and a universal sentiment that is unique to every individual. We all have parts of our lives where trusting in love is the answer. It’s in integral force in nature in a way – love. Love makes everything grow, pulls us, inspires us – but is often the difficult choice to make in reality. I was thinking about world peace when I wrote this song, hoping that just in general, mankind would trust in love more. The lyrics are straight forward and it is written in classic Celtic prayer form with traditional early American church hymns and chorales as the inspiration. I was struck by the melody which is almost circular – each verse like a complete thought or sentence – and to you musicians out there – returning to the one cord before you would expect – giving it that “old” feel naturally. Grandma’s Song is more of a traditional Pop! ballad written in 3/4 time or a “waltz” time signature, and was written for my Grandma when she passed away. I wrote that entire song, music and lyrics, on the night that she actually died. It was a supernatural experience. I am positive that she helped me write it from the “other side”– it was a beautiful journey. I still get choked up by that song, and I perform it at lots of family type of events like birthdays and unfortunately, funerals. It is a song with deep sentimental value to me.

It is a TRIP to do this music LIVE! I LOVE it!!

John :  What about the song lyrics in Share Your Life ?

Cadence :  Share Your Life  was a song off my very first album – ages ago and a different name even…for a documentary for handicapped children for a beautiful organization called Share Inc. in Los Angeles. I was so honored to be a part of that prestigious charity group, a “Share Lady”. We raised nearly a million dollars a year for handicapped children in the Los Angeles area – doing an annual event/live show where we sang and danced on some of the greatest stages with some of the greatest talents in Hollywood. I was asked to write a theme song for their promotional video that was originally hosted by the late, great James Coburn. The song came to me quickly, after being deeply moved by volunteering at a hospital for severely handicapped children. I was overwhelmed, beyond tears – at the strength and courage of the staff at these hospitals and by the families involved. The words came naturally and straight from the heart – and my cherished “sisters”, the lovely ladies of “Share Inc.” were so inspiring and supportive of my songwriting. Children, along with animals, are part of that family of “voiceless creatures” of the earth that we as healthy adults, are responsible for. We share this burden as humans – it is given to us at birth – to care for these voiceless creatures. The littlest amount of volunteering can do a mountain of good, and it makes us feel alive and content in return. “Time to make it right…share your life…” Seems so simple –but I think many of us want to help more but don’t know where to begin. Thanks John for asking me about that song. I get moved every time I think about all the inspiring philanthropy I have been privileged to witness. I’m talking about such hard work and dedication from ordinary people that is beyond belief.

John :  At your website cadencespalding.com, I saw that you are presently working on another album. Is that right and what can we expect ?

Cadence :  My new album is nearly finished and listeners can expect a release late this year or early 2010 – and I’m thinking of calling it “sessions” as it features an eclectic mix of pop, rock, new age, classical and even a dash of country. A feast of flavors – and a few surprises as well, with even an occasional acoustic version of the Cadence Spalding songs from Save The World  that I’ve been getting requests to sing “naked”. Not me LOL, but the songs!! And so I did, happily, after producing them with often hundreds of layers of vocals per song and extensive instrumentation and sound design, it was a true pleasure to record them in their original form – acoustically. My test for my music, in the beginning, has always been just that. I try to go by the philosophy that if a song is good raw, acapella even, it can then be built into anything and virtually in any musical style. So this new album I’m now creating will be a whole new adventure – evolving and building on the past and continuing to explore the sound we discovered, while revealing a more “raw” side, kind of a glimpse of my “underbelly” as an singer/songwriter – and as a woman too.

John :  You had told me that you volunteer your time with children. Could you tell us about what kind of work you are involved with ?

Cadence :  In the past I have done many years of charity work involving music – often by volunteering my services as a music teacher, choir director, dancer, director – you name it. A music teacher by trade, and as jobs for Art Education in public schools becoming more and more sparse and low paying, I would get involved in all kinds of productions for charity in the beginning, just because I wanted to work and to learn. This lead to more work than I bargained for, but I don’t regret a single day of it. I have composed songs for a group called songsoflove.org, an organization in NYC that writes and records songs for terminally ill children. I also wrote original musicals for kids for various churches, and even owned a performing arts school for kids at one point in San Francisco that did a lot of volunteering for the community. It’s just so much fun – all of it. What could possibly be more of a gift than sharing music with kids? Amazing. I think I get more out of it that anyone, and when I perform or write music for a charitable cause – the added pleasure of being thanked for my time makes it a treasured part of my life that brings me pure joy. It’s the ultimate high!! Please check the inside of my CD cover for Save The World  for a list of charity organizations I’m involved with and how to donate time or money.

John :  Cadence, it has been great to visit with you again.  I look forward to our next visit and doing a review of your next project.  Thanks for taking the time to do an Interview with me.

You may also read my recent review of her Save The World album.

Her website is cadencespalding.com and her music can be purchased through amazon.com, bestbuy.com, target.com and barnesandnoble.com

Never in the history of our world has there been a time for greater concern and action needed over energy, environmental, and social issues, that what lie before us at present.

Our most recent 40th anniversary Earth Day held on April 22, 2009 had an estimated 1 billion participants worldwide, an astounding number when compared to the 20,000 million people first participating in 1969. The annual event is held each year to demonstrate what each of us as individuals can accomplish together in unity, while still retaining the core existence by relying solely on the power of one.

Cadence Spalding is one person doing their part as role model for bringing about a greater awareness of these concerns by her Save The World 2009 album release on the Sound Manipulations and JSA music label. The 11 tracks pertain to the noblest of desires in conveying her message of what one person alone can accomplish by caring for mother earth, caring for those who cannot help themselves, and by caring for one another as a family unit.

Well known New Age musician Mars Lasar is also doing his part by co producing this themed album. His technological production talents and artistic skill in layering and mixing hold the key elements that enable Cadence to excel in the music she has primarily written and presented by her own hand. While having previously performed on Mars’ albums, this first solo release certifies her individual talents worthy indeed, bearing fruit for this winning team who also happen to be husband and wife.

a message of what one person alone can accomplish by caring for mother earth, caring for those who cannot help themselves, and by caring for one another as a family unit.

Save The World is classical New Age pop, hosting a pleasant mix of ballads finely tuned to perfection in the purest sense. Classical touches of soft angelic vocals appears as lullabies at times, gently rocking you into a contented state, while anthem stanzas increase in momentum, rising above to greet the occasion. The harmonious choral effects arranged by layering passionate vocals offers her message of love, peace, and harmony to all who share the same logic, devotion, and mindful perspective.

Trust In Love is one musical anthem sent as a deep heartfelt narrative of the glorious possibilities for peace and love that await every boy and girl, if only we would just let it be a reality. This soulful song is rich in vocal tone combined with personal statement through meaningful lyrics. The piano phrased beat is surrounded by a deep percussion rhythm like persons marching lock step in tandem, proposing that we trust in love and give peace a chance.

Save The World title song offers an upbeat instrumental expression of the bountiful rewards we receive when we let our conscience be our guide and do our part. This repeated message if framed by a pounding drum beat, while piano and guitar instrumentals ring out a clear tone during moments of pause between vocals.

This CD album also includes a bonus DVD which is really a treasure in itself. This professionally captured, artistic photo gallery DVD produced by Mars, is extraordinary in visual effect while highlighting the serene music of Candace. The magnificent colorful photos are dedicated to vivid landscapes, wildlife subjects, and touching scenes capturing people in everyday life.

This CD / DVD collector’s edition is a beautiful performance and powerful statement, shared with the world after this initial spark of talented inspiration was ignited solely from the power of one.

Visit : cadencespalding.com

There is no doubt that Mars Lasar is a very talented musician. His albums, like 11.05 Revival and Eterna, are among the most popular in new age music. But did you know that he is also a very talented graphic artist? See some of his pictures here.